Vajra-romance

The elements are the symphonic texture of vajra-romance.  They are also the cacophony of neurotic attachment.  The cacophony however, only exists in terms of duality, because from the point of view of the infinite purity of the phenomenal world – symphony and cacophony are undivided, and it is this fact which makes vajra-romance an immense opportunity.  Even within our confusion we partake of the realised state.  
Nondual reality sparkles through every aspect of our being and the Khandro Pawo Nyi-da Mélong Gyüd is a key to direct knowledge of this state.  For the khandro and pawo each point in time is a pivotal point – a point at which the elements can be allowed to become ballet, or a point at which form-attachment cripples any nuance of movement.

p230, Entering the Heart of the Sun and Moon  Ngakpa Chögyam and Khandro Déchen,  Aro Books, 2009, ISBN 978-0-9653948-3-3

Tralam-mé is the manner in which people accidentally rhyme with each other

Tralam-mé in ordinary terms pertains to anything that happens in the sky – weather conditions, precipitation, rainbows, the Aurora Borealis, asteroids, meteor showers, seeing the stars in the sky, the moon in the sky, visions in the sky, whatever happens in the sky.
In terms of Dzogchen long-dé tralam-mé is used in the context of vajra romance – and thus we translate the term as poetic turbulence. Poetic turbulence is the romantic energetic which is sparked by the capacity for realisation in two individuals.
Tralam-mé does not exist simply as an interface between male-female romantic couples; it exists between everyone and everything everywhere.
Tralam-mé affects how people relate with each other.  We call it poetic turbulence as an emptiness and form coinage.  Tralam-mé is the manner in which people accidentally rhyme with each other – the manner in which they fall in love.
Tralam-mé allows you to experience the non-dual sparkling through in respect of your partner.

Aro Encyclopaedia Index: Tralam-mé   Questions & answers with Ngak’chang Rinpoche